Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.   Related Paintings of MANTEGNA, Andrea :. | Samson and Delilah | San Sebastiano | View of the West and North Walls | Agony in the Garden | St Sebastian sg |
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John warwick smith
English Painter, 1749-1831 English painter. The son of a gardener to the Gilpin family, he studied under the animal painter Sawrey Gilpin. During a trip to Derbyshire with Gilpin he met George Greville, 2nd Earl of Warwick, who gave him financial support to go to Italy between 1776 and 1781. Smith spent 1778-9 in Naples and was otherwise based in Rome, where he explored the Campagna and made sketches with William Pars and Francis Towne. The strong greens and purples and crisp pen outlines of some of Smith's watercolours are strongly influenced by Towne's style. Smith and Towne travelled together across the Alps on their way back to England in 1781, after which Smith settled in Warwick. He contributed six views to Samuel Middiman's Select Views in Great Britain (1784-5) and between 1784 and 1806 toured Wales 13 times in search of Picturesque and Sublime scenery. He also visited the Lake District between 1789 and 1792, which resulted in the publication of Twenty Views of the Lake District (1791-5); he appears to have been in Devon and Worcestershire as well. Aquatints after Smith were used to illustrate William Sotheby's Tour through Parts of Wales (1794),
Herman Han

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